Au Gre de mes envies

Voir haïkus

Galerie pastel

Croquis, variations et séries en pastel sec, entre exploration intime et dialogue avec le haïku.

A slender, cream-colored notebook lies open on a smooth, dark wooden table, its thick, slightly textured pages filled with a single elegant haïku written in fine black ink. Beside it, several soft pastel sticks in muted blues, moss greens, and warm ochres rest on a small porcelain dish, their powder lightly dusting the surface. Soft morning light from an unseen window grazes the scene, creating gentle shadows along the notebook’s spine and subtle highlights on the pastel dust. Shot at eye level with a shallow depth of field, the background falls into a soft blur of neutral tones. The mood is contemplative and sophisticated, in photographic realism, evoking the quiet intimacy of a personal creative ritual.
A close-up of a richly textured sheet of dark charcoal-gray paper, where a pale moon in soft white pastel hovers above a faint horizon, its edges delicately smudged to create a halo. Beneath the drawing, a meticulously written haïku in silver ink glows subtly against the paper’s fibers. A single slender pastel stick, slightly worn, lies diagonally near the bottom edge, leaving a faint shimmering trail. Dim, diffused evening light from a nearby lamp casts gentle, velvety shadows, enhancing the contrast between light and dark. Captured in photographic realism with a tight, centered composition and shallow depth of field, the mood is sophisticated, nocturnal, and meditative, evoking the stillness of a quiet night of reflection.
A single delicate ginkgo leaf, rendered in soft shades of lemon yellow and pale green pastel, lies centered on a sheet of heavy, off-white drawing paper. Beside it, an unfinished haïku in tidy, slanted handwriting trails off, leaving a few empty lines. The scene rests on a weathered wooden desk, with a small ceramic bowl holding worn pastel stubs in earth tones. Late afternoon light streams diagonally across the desk, catching particles of pastel dust in the air and casting elongated, poetic shadows. Photographed from a slightly elevated angle using the rule of thirds, the composition feels minimal yet refined, with a serene, introspective atmosphere that suggests the quiet pause between thoughts.

Pastels

Le pastel sec offre une matière veloutée et poudreuse qui se dépose par légers frottements sur le papier, permettant des dégradés subtils et une grande intensité de couleur. Doigt, estompe ou simple chiffon deviennent alors des outils pour fondre les teintes, suggérer la lumière et capter l’instant, comme dans un haïku visuel. Chaque trace reste sensible, spontanée, presque fragile. Pour découvrir ma démarche, mes inspirations et mon parcours, rendez-vous sur ma page profil.

Voir l’artiste
An artist’s workspace seen from above: an ivory sheet filled with tiny thumbnail sketches in soft pastel—branches, waves, mountains—surrounds a neat column of short haïku drafts. Pastel sticks in dusty rose, slate blue, and muted olive lie scattered, leaving smudges of pigment that frame the paper like an accidental border. A small glass of clear water and a folded linen cloth rest at the edge of the composition on a pale birch tabletop. Soft overcast daylight from a nearby window creates even, diffused illumination, minimizing harsh shadows and emphasizing subtle textures of paper and pigment. Photographic realism with a balanced, asymmetrical composition and sharp focus throughout conveys a calm, sophisticated atmosphere of thoughtful experimentation and quiet joy in creation.